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home my books about joe something technical… assorted essays disclaimer home my books about joe something technical… assorted essays disclaimer joe news september 22, 2018 / ilanderz / 0 comments the latest in joe mahoney news… a few bits of news to share: this coming tuesday, sept 25th, i’ve been invited to participate in an open mic at the parliament street library branch in toronto. the event starts at 6:30pm and goes until 8pm i’ll be reading from my novel a time and a place. it looks like i’ll have time to read up to an entire chapter. i’ll try to pick a particularly interesting one… and if that isn’t enough to entice you, fellow writer (and editor of the newly re-launched amazing stories magazine) ira nayman will also be present. his material is very funny, so if you don’t show up for me, at least show up for him! i do believe there’ll be some other writers present to read as well. in other terrifically exciting news, a time and a place is now available for your listening pleasure on audible. but you know that already because of my last post. (two posts in one day… haven’t done that in a while!) i should also mention that my recent interview with christine cowley of storylines on hunters bay radio is now available online. you can check it out here . probably worth mentioning as well that my interview with jessica sanders of jessie’s coffee shop is still available online here . and that’s quite enough news for one day… share: tweet email share on tumblr more print a time and a place available on audible! september 22, 2018 / ilanderz / 1 comment lot of work went into this puppy… i cannot tell you how pleased, relieved and excited i am that a time and a place is finally available on audible . those of you who have read about my adventures turning ataap into an audiobook know that it was a lengthy, educational experience that took a lot longer than i expected. but now it’s done, my publisher five rivers is pleased with it, and audible’s giving it prominent billing in their sf/time travel new releases. now to see what everyone else thinks of it! share: tweet email share on tumblr more print further thoughts on audio book production september 8, 2018 / ilanderz / 3 comments cover art by jeff minkevics a time and a place i thought i had finished the production of the audio book of a time and a place. i had submitted the files to my publisher, who had forwarded them to audible (acx), only to have them rejected because they were less than 192 kbps. this didn’t make any sense to me as i was sure that i’d exported them from audacity properly. when i checked the files out, though, i discovered that i’d actually accidentally exported a couple of files at 32 bit sample rate. it’s weird this only happened to a couple of files; why would the settings change for just a couple of files? anyway, i figured this was the problem, so i corrected those files and resubmitted them. audible still rejected the files. embarrassing. so i went back and had another look. i thought i had the settings in audible correct, but my mistake (well, one of my mistakes) was that i hadn’t actually checked the files themselves. this was really sloppy on my part. the reason i hadn’t checked the files themselves was because, well, i had checked the files, but i’d done so on a mac, which doesn’t tell you the bit rate. it tells you a lot of other stuff, but not the bit rate, unless you jump through a few hoops, which i hadn’t done. i’d simply assumed that audacity was doing what it said it was doing: it says it’s exporting 220-280 kbps. so isn’t it? nope! turns out i should have selected “constant” bit rate mode, which would have resulted in a guaranteed bit rate of 192 kbps. live and learn. because of this mistake, i had to re-export all my files at the correct bit rate of 192 kbps. this meant finding the original sessions of each chapter. doing so, i discovered another bit of sloppiness on my part: poor file management. i’d carefully saved each session using a specific naming convention, but i hadn’t paid much attention to where i saved the files, other than ensuring they were saved on a hard drive somewhere in, say, my house. well, at least i knew all the sessions were saved on a hard drive attached to my macbook pro. fortunately, my searches usually managed to locate the required sessions. unfortunately, they didn’t always do so. i could not find the final sessions for about four chapters. the good news was that i was able to find and re-open at least the penultimate session for each chapter. this resulted in a bit more work than i would have liked. and i became paranoid that i wasn’t re-exporting the absolute final version of each chapter. because of this paranoia, i decided i needed to re-listen to every second of every chapter to ensure that they were in fact the absolute final, pristine product. this cut into the writing time of my second novel, which i usually worked on during my commute, and so was a bit of a drag, but it had to be done. fortunately, i was able to download the files from dropbox onto my smartphone, which meant that i could listen just about anywhere i went. unfortunately, this usually wound up being in rather noisy environments, which meant that i could confirm the proper pacing of the sound files, and that there were no missed edits, and what the chapters would sound like in the real world, but i couldn’t really tell if there were any little clicks or pops or mouth noise etc. so i listened to all twenty-seven chapters this way, and during the course of this exercise discovered several chapters that weren’t quite up to snuff. in the case of some chapters, it was because i hadn’t been able to find and export the absolute final version, but in the case of other chapters it was because the absolute final versions themselves just weren’t quite up to snuff. by “up to snuff” i mean mostly that the pacing was off. the way i had read and edited them had resulted in readings that were way too fast. my brain couldn’t keep up listening to them. they threatened to ruin the entire product. even if listeners couldn’t tell exactly what was wrong, what was irritating about the product, i was pretty sure that it would still bother them. all of these chapters needed to be re-edited. there were a few other minor issues too that i took the opportunity to correct, mostly sloppy enunciation, and some minor issues with the levels. if i hadn’t exported the files at the wrong bit rate to begin with, i probably wouldn’t have discovered these other issues until it was too late, so i was glad about that. looking back, the single biggest hurdles i encountered during the production of this audiobook was the fact that i performed it myself, and did the whole thing all alone. there was nobody to tell me i was reading too fast, and i was too close to the product to realize myself where i was going wrong. i didn’t actually even clue in that there was a problem until after i’d finished recording the entire novel and completed the initial edit of the first chapter. listening back to that initial edit, i was horrified at the pace of my read. so i re-edited the entire chapter and it was still too fast. it wasn’t actually until a few weeks went by and i listened to the chapter again with completely fresh ears that i was able to tell what the proper pace should be. so i edited it again and finally got it in the ballpark (i hope!). i made the same mistake with several other chapters, thinking as i was going along that i was getting the pacing right, but again i didn’t have sufficient distance to be able to tell for sure. it was several chapters before i acquired enough experience to know to insert far more space than i thought i needed. doing so made it far easier on subsequent passes to edit the material correctly, tightening it up a bit. had i been a seasoned performer, i would have been able to get the pacing right in the performance, which would have resulted in one heck of a lot less editing. at l

URL analysis for assortednonsense.com

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Domain Name: ASSORTEDNONSENSE.COM
Registry Domain ID: 234878355_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.planetdomain.com
Registrar URL: http://www.melbourneit.com.au
Updated Date: 2018-09-11T20:00:02Z
Creation Date: 2005-10-19T18:40:37Z
Registry Expiry Date: 2020-10-19T18:40:37Z
Registrar: PlanetDomain Pty Ltd
Registrar IANA ID: 240
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: +61.299340501
Domain Status: ok https://icann.org/epp#ok
Name Server: NS1.DREAMHOST.COM
Name Server: NS2.DREAMHOST.COM
Name Server: NS3.DREAMHOST.COM
DNSSEC: unsigned
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  REGISTRAR PlanetDomain Pty Ltd

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =assortednonsense.com

  PORT 43

  TYPE domain

DOMAIN

  NAME assortednonsense.com

  CHANGED 2018-09-11

  CREATED 2005-10-19

STATUS
ok https://icann.org/epp#ok

NSERVER

  NS1.DREAMHOST.COM 64.90.62.230

  NS2.DREAMHOST.COM 208.97.182.10

  NS3.DREAMHOST.COM 66.33.205.230

  REGISTERED yes

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